Except in architecture circles, the architect and musician Yannis Xenakis is still mainly known as a composer. Sometimes his architectural work is reduced to the trivial fact that he worked for Le Corbusier for a while when he was young. But in case you are in Berlin this November, you have the opportunity to visit a small exhibition about the Greek musician and architect Yannis Xenakis which eloquently shows how the architect Yannis Xenakis formed the musician.
Drawing of Xenakis' glass panes at Sainte-Marie de la Tourette
In 1954, Xenakis was Le Corbusier's project architect for the construction of the Dominican convent Sainte-Marie de la Tourette near Lyon in France. He was responsible for the interiors and designed the cloister, the study hall, the library and the church. Best known however is the double frieze of windows he realised on the west facade of the convent. Xenakis used irregular intervals between the bars of the window crosses which can give the impression that the glass panes actually move. The ratios were chosen according to the Modulor, a scale developed by Le Corbusier on the basis of the of the measurements of the human body, of the Golden Mean and the Fibonacci Numbers. Le Corbusier called the windows "Xenakis' musical glass panes."
Study for Metastaseis
Roughly at the same time, Xenakis worked on his first major orchestral piece, Metastaseis which debuted in 1955 and brought about his break-through as a composer. Metastaseis was based on Xenakis' experiments with hyperbolic paraboloids forms which he managed to translate into a musical score. As a result the mathematical structure of the compostion did not only break with traditional harmonies but also with then dominant serial music.
Hyperbolic paraboloids also were at the core of the design of the Philips Pavilion which he realised in 1958 for Le Corbusier. The Pavilion conceived as a "gesamtkunstwerk" with light installations and music written by Edgar Varese was one of the attractions of the 1958 World Expo in Brussels and led to further light and sound installations which Xenakis collectively named the "Polytopes".
Philips Pavilion via Wikipedia
Xenakis also went on to experiment with musical compositions based on mathematical and statistical theories. At the end of his life he turned towards architecture again. Some of his designs like a house he conceived for his daughter on the Greek island Amorgos were realised, others remained unbuilt.
The exhibition "Control and Randomness (Zufall und Kontrolle) - Yannis Xenakis, Architect, Visionary, Composer" can be seen until November 27th 2011 at the Akademie der Künste in Berlin.
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